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The
Last Televangelist: 8 programs with Reverend Billy
Show #1 through #4
Show #5 through
#8
link to view
previews: Deep
Dish TV
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Hand Held
Visions: The Impossible Possibilities of Community Media
NEW BOOK By Dee Dee Halleck
Illustrated 432 pages
Fordham University Press
Language: English
ISBN: 0823221008
A collection of essays, presentations and lectures written with the
aim of developing a critical sense of the potential and limitations
of mediated communication.
The author includes a discussion of her own development as a teacher,
producer and participant in the struggle for media democracy.
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| FILMS
BY DEEDEE HALLECK Please
choose DVD or VHS |
| For International
Delivery Add $3 |
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| For Express Delivery
Add $24.99 |
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| In Progress |
Mary Frank:
Portrait |
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Reverend Billy's
Peace Revival 43 minutes, 2002
"You are trapped
in a bubble of bourgeois society" shouted Reverend Billy in
a Starbucks... it took 90 seconds for the manager to call the police.
$355 Institutional use |
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Ah! The
Hopeful Pageantry of Bread and Puppet, 2001
80:00 Producer/Co-Director
with Tamar Schumann
Also available on DVD
- View a movie clip (1.8 meg download)
$355 Institutional use
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When, 2001
Four shows from the Bread
and Puppet Theater:
• Excerpt from the Circus 1990-1998
•Mississippi created in 1970 to commemorate the students of
Jackson state University killed by National Guard while demonstrating
against the US invasion of Cambodia.
•Penny Opera: a short version of the Brecht opera done iwith
cardboard puppets.
•Move: a passion play about the Philadelphia vegetarian activists
whose house was bombed by police in n1985.
$190 Institutional use |
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Lock Down USA, 1997
co-producer/director
DeeDee Halleck
Lock Down USA looks at
the burgeoning prison industry, the diminution of human rights for
persons accused of crime and those incarcerated, the expansion of
repressive forces in our communities and the closing of educational
opportunities for prisoners. Made with Barbara Zahm and Cathy Scott.
$255 Institutional use
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The Gringo
in Mañanaland, 1995 compilation archival film
Director/Producer: DeeDee Halleck
Screenplay and Editing: DeeDee Halleck, Nathalie Magnan, CheChe
Martinez. Research and Development: Pennee Bender, DeeDee Halleck,
Bob Summers Running Time: 61 minutes
How we view Latin America cannot help but be affected by how it
has been projected in film since the turn of the century. Filmmaker
DeeDee Halleck has compiled the essential Latin American stereotypes
into a documentary that is a comedy, a melodrama, an adventure story
and finally, a tragic farce. Clips from over eighty dramatic and
industrial films are arranged to lay out the essential myths: the
hero discovers paradise and bananas, he has a problem with bandits
and women, he calls in the marines, the bandits cooperate, and the
good neighbors are happy. These images shaped not only how Americans
viewed Latin Americans, but through exportation, also affected how
Latin Americans view themselves. Through juxtaposition and irony,
the film demonstrates cultural imperialism at work.
Halleck has been called "the godmother of the alternative political
video." Along with being a professor of communications at the
University of California at San Diego, she's also the producer of
Paper Tiger Television, the legendary national public access series.
Institutional
use $355
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Stones' Throw:
TV from Cuba: Island in Goliath's Sea, 1992, Four hour
long compilations of Cuban TV, (Co Producer/Curator with Monica
Melamid
Personal use: (Specify
# 1,2,3 or 4)Each tape seperately $25 S&H
Institutional
price: Set of four $355 - Each tape seperately $105
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Barco La Paz
1984
Barco de la Paz is the
story of a peace ship to Nicaragua during the height of the war
against the Sandinistas that was waged by Washington and the Contras.
Four Nobel Prize winners travel with a load of material aid to the
besieged Central American country: Betty Williams, Adolfo PerezEsquivel,
George Wald and Linus Pauling.
$255 Institutional use
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Waiting
for the Invasion: Made shortly after the invasion of Grenada
by the US, this film documents the fear and anger of US citizens
who have come to Nicaragua to help the Sandinista revolution and
fear that their own country will wage war on this new nation. Includes
commentary from the Directed by: Dee Dee Halleck. Co-Produced with
Joan Braderman, Skip Blumberg, Joel Kovel, Karen Ranucci, Eddie
Becker. Premiere: National Broadcast - KCET TV, Los Angeles, Presente
Series, 1984 Winner - Best Documentary Award, Global Village Documentary
Festival. Screened at DCTV, NYC, Van Dam Theater, NYC, The Whitney
Museum, NYC, The Museum of Modern Art, NYC, Wexner Center for the
Arts, Columbus Ohio and internationally in hundreds of schools,
churches and community centers, galleries and cable TV stations.
$255
Institutional use
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Haiti:
Bitter Cane
1983,
71 min feature film (made in collaboration with Haiti Films) Bitter
Cane is a look at the history of Haiti, from the sugar barons to
the exploitation of the US-owned assembly factories. Filmed clandestinely
under the Duvalier dictatorship, this timeless award-winning documentary
profiles Haiti's neo-colonial economy and features archival footage
of the first US occupation of Haiti from 1915-1934. From peasant
coffee farms in the rugged tropical mountains to steamy U.S.-owned
sweatshops in the teeming capital, the film takes the nviewer on
a journey through Haitian history to a deeper understanding of that
country's political economy. Winner: Best Documentary, Montreal
Film Festival
Institutional
use $255
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Bronx Baptism,
1980, 16mm,documentary on Pentecostal Church in Bronx
A look at a Pentecostal Church in the South Bronx. Lyrical, intimate,
celebration of baptism. Community creation in the midst of economic
devastation: the heart of a heartless world. Camera: Richard Serra,
DeeDeeHalleck and Babette Mangolte.
$255
Institutional use
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Meadows
Green, 1975, 28:00, 16mm, documentary on Bread and Puppet
(Co-Producer/Director with George Griffin)Meadows Green
is a documentation of the 1974 Bread and Puppet Resurrection Circus.
Shotduring the Vietnam War, the event is a poignant appeal for peace
in the world. Made with experimental animator, George Griffin, this
film uses the Bread and Puppet style to create a film with the elements
of the theater. Rather than use interviews, it juxtaposes graphics
and fragments of shows to build a vision of the entire event. Shown
on television throughout Europe.
Institutional
use $ 185 +5 S&H
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Jaraslawa
1973Jaraslawa
Jaraslawa bakes bread and piroski as she talks about her recipes
and her life. This lyrical experimental film has a sound track by
the Penny
Whistlers. Winner: Cine Golden Eagle
$190
Institutional use |
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Mr. Story 1971 Albert
Story is an 88 year old resident of Bloomingburg, New York, whoreminisces
about his life and the difficulties of growing older. Still active,
he canes chair seats, plants a garden and changes a tire. Made with
Anita Thacher.
Time: 56 minutes
Personal use $40
$255
Institutional use |
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Minimoviemakers, 1967,
16mm, documentary on film workshop,
(Producer/Director)Minimoviemakers shows a youth workshop at Henry
Street Settlement. The students paint directly on film, Norman McLaren
style, and then made a cut-out animation version of the Incredible
Hulk comic.
Institutional
use $190
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Mural
on Our Street, 1965, 16mm, produced for Henry Street Settlement (Producer/Director)
Nominated for Academy AwardThe Mural on Our Street 1964 This film
was nominated for an Academy Award for Documentary Short Subject in
1965. Winner; Cine Golden Eagle. It follows the building of a ceramic
mural, from the initial sketch classes to the final installation at
305 Henry Street. A lively steel band sound track accompanies the
enthusiastic
testimony of the participants. This is one of the first documentary
films to use collaged commentary in this manner. 26 minutes
$190
Institutional use
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Children
Make Movies 1961
This is documentation of a workshop held at the Lillian Wald Recreation
Rooms and Settlement. It shows two filmmaking projects by youth.
This film was shown at a UNESCO conference in 1962 in Oslo, Norway
and was commended for being the "most spontaneous" and
"drawing the most applause" by Jonas Mekas in a review
in the Village Voice. 13 minutes
$190
Institutional use - 16mm $300 |
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The Yellow Wallpaper,
1982
Margo Lee Sherman plays the delusional suppressed subject of this
famous feminist fiction. Set in the decaying hotel of Minnewaska,
the wall paper, like that of the story, is literally flaking off.
This is greatly condense version of the novel, played with intensity
by award winning actress Sherman. time: 13 minutes
$190
Institutional use
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